Something has shifted in the way I see when I’m on the trail. For years, I hiked with a very specific lens. I was always looking for something I could wood-burn. An animal, a composition of plants that could translate onto wood. It was instinctive. Familiar. I knew...
Life in the Blue Ridge
Woodburning, surface design, trails, and the mind behind it all.
Burning wood for 25 years. Burning excuses even longer.
Courage over comfort. Carve your own path.
When I’m not creating, I’m out on the trail gathering fuel for the next idea. I build things that make people come alive.
Field Notes
Returning to Wonder: Fantasy Stories, Creativity, and Healing the Inner Child
This week, I found myself falling down a very familiar kind of rabbit hole. Not the stressful kind. Not the endless-scroll-on-the-internet kind. The kind where you start one movie, then another, and suddenly you realize you’ve spent several evenings wandering through...
Showing Up Anyway: Why Joining the Study Group Matters More Than the Course
When I signed up for Bonnie Christine’s Surface Design Immersion, I did something that surprised even me. I joined the study group. For some people, that might sound like a normal part of taking a course. For me, it was not a small decision. I’m an introvert by...
Many of my ideas begin outside, on quiet trails, along creeks, and deep in the Blue Ridge forests.
If you enjoy hiking, nature photography, and the places that inspire my work, you can follow along at Ridge Raven.
The Work

Woodburning Art
Illustrative wood-burning inspired by forest myth, night skies, and quiet stories.

Surface Design
Hand-drawn designs created to become part of something larger.
I’m an artist living in central Virginia, near the Blue Ridge Parkway and Shenandoah National Park.
Most days begin on a trail with my dogs and end in the studio with wood, fire, and sketchbooks.
The quiet of the woods has a way of clearing my mind and filling it with ideas at the same time.
I pay attention to the small details most people walk past — the texture of bark, the shape of a leaf, the way light moves across the forest floor.
Those moments often find their way back into my work, whether I’m burning wood, designing patterns, or sketching something new.
Nature is where most of my ideas begin, and the studio is where they slowly take shape.


